By Stephen Hinds
It is a booklet approximately how the poets of Classical Rome came across creative idea within the phrases and subject matters in their poetic predecessors. It combines conventional Classical ways to poetic allusion and imitation with glossy literary-theoretical methods of pondering how texts are used and reused, valued and revalued, specifically examining groups. Like different volumes within the sequence it really is one of the such a lot commonly conceived brief books on Roman literature to be released lately.
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Additional info for Allusion and Intertext: Dynamics of Appropriation in Roman Poetry
In his reply he commissions her to continue “teaching the word of God”, but the construction of the scene indicates that she would have done so even without the official orders from the apostle. Paul can be viewed as attempting to maintain nominal authority, but his authorization is portrayed as ancillary to Thecla’s intentions. A few later manuscripts mention that Theocleia does not convert; see Lipsius 1959, 269f. ( UN ) HA PP I LY E V ER A F TE R 25 Society at large, the patron, the potential “bridegroom”, and the family are each in turn encountered, addressed, and finally abandoned in a neat inversion of the expected novelistic blueprint.
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Burrus, V. 2005. ” Arethusa 38, 49-88. 18 J E NN IF ER E Y L Byrne, S. and E. Cueva. 2005. Longus’ Daphnis and Chloe: An Annotated Edition. Wauconda, IL: Bolchazy-Carducci Publishers. Capelle, W. 1953. ” Rheinisches Museum fur Philologie 996, 175-180. Cooper, K. 1996. The Virgin and the Bride: Idealized Womanhood in Late Antiquity. Cambridge, MA: Harvard University Press. Davis, S. 2001. The Cult of St. Thecla: A Tradition of Women’s Piety in Late Antiquity. Oxford: Oxford University Press. Dickie, M.
Allusion and Intertext: Dynamics of Appropriation in Roman Poetry by Stephen Hinds